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South Africa’s legendary choral group Ladysmith Black Mambazo is in mourning following the death of its long-serving member and respected ‘Wise elder’, Albert Mazibuko, who has died at the age of 77 after a short illness.
Born in Ladysmith, KwaZulu-Natal, Mazibuko joined Ladysmith Black Mambazo in 1969, invited by his cousin and group founder Joseph Shabalala. Over the decades, he became one of the most enduring voices in the ensemble, contributing to its rise from local performances in South Africa to global recognition as ambassadors of isicathamiya music. He remained with the group for more than 55 years, making him one of its longest-serving members.
Reports confirm that Mazibuko had recently stepped back from touring due to age-related concerns, but remained closely involved with the group in an advisory and mentoring role. In 2014, following the retirement of founder Joseph Shabalala, he was often described as the guiding figure for younger members, helping preserve the group’s musical traditions and discipline. The group announced his passing with deep sadness, describing him as a pillar of their history and a key custodian of their legacy. He is remembered not only for his powerful vocal contribution but also for his role as a teacher and storyteller within the ensemble, ensuring that the group’s heritage was passed down to younger generations.
Mazibuko’s life was deeply tied to the evolution of Ladysmith Black Mambazo, which became internationally known after its collaboration with Paul Simon on the 1986 album Graceland and went on to win multiple Grammy Awards. Through this global platform, he helped introduce South African choral traditions to audiences around the world, turning the group into a cultural symbol of peace and harmony.
Tributes from the music industry have highlighted his humility, dedication, and lifelong commitment to preserving indigenous South African music. For many, his passing represents not just the loss of a musician, but the loss of a living archive of the group’s history.
Written by: Rachael Obilor
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