Tiwa Savage calls for Tems’ inclusion in Afrobeats ‘Big 3’ conversation

In a bold and timely statement, Afrobeats powerhouse Tiwa Savage has challenged the industry norm by asserting that it’s “unfair” to exclude Tems from the conversation around the genre’s “Big 3”, a group traditionally composed of male superstars Wizkid, Davido, and Burna Boy.

Tiwa Savage, widely celebrated for her artistry and influence, is urging a re-evaluation of what defines Afrobeats’ elite. In the recent interview, she calmly argued: “I also feel like it’s unfair to have that conversation about the Big 3 and not mention someone like Tems.”  Her words strike a chord amid growing momentum for greater gender equity in a genre often dominated by male figures.

Tiwa’s stance is far from empty; Tems’ resume speaks volumes as a double Grammy winner, cementing her as the most awarded Nigerian artist in Grammy history. Billboard Hot 100 debut, and high-caliber collaborations with Drake, Future, and Beyoncé have dramatically expanded her international footprint .

Beyond stats, Tems brings a unique blend of alt-R&B, neo‑soul, and Afro-fusion, reshaping the sonic identity of Afrobeats and winning critical acclaim for her artistry.

Tiwa’s remarks arrive amid what many see as a generational transition within Afrobeats with rising stars such as Rema, Ayra Starr, and Asake actively redefining the genre’s future. This evolving landscape prompts serious reflection: Should the “Big 3” moniker remain exclusive to male artists, or is it time to redefine it for today’s stars?

She is leveraging her status to advocate for female visibility in conversations dominated by male peers. The outpouring of support on social media underscores growing acknowledgment of her point: female excellence in Afrobeats deserves equal billing.

Tiwa Savage’s call to include Tems in the Afrobeats “Big 3” is more than an offhand remark, it’s a powerful challenge to the industry to broaden its narratives. With Tems’ accolades and artistic impact, there’s heavy merit to her inclusion. As Afrobeats continues to globalize and diversify, it may be high time to let the term “Big 3” evolve, or even retire it entirely in favor of something more inclusive of the genre’s rich, dynamic landscape.