I wrote Dami Duro’s Hook for Davido – Bigiano claims

Nigerian singer Bigiano has sparked a fresh wave of entertainment debate by claiming he wrote the iconic hook for Davido’s 2011 smash “Dami Duro”, the song often credited with launching the Afrobeats superstar into mainstream fame.

Released in 2011, “Dami Duro” marked a turning point not just for Davido, but for modern Afrobeats. The song’s infectious rhythm and commanding chorus announced the arrival of a new star and laid the foundation for a career that would later take Nigerian music to global stages. Over a decade later, the track remains a cultural landmark, which is why any discussion about its creation naturally attracts strong reactions.

Bigiano’s assertion that he contributed to the song’s hook has not yet been officially corroborated, and Davido has not publicly responded to the claim. However, what stands out in the wider context is Davido’s broader approach to collaboration and credit. Throughout his career, he has openly mentioned producers, writers, and creative partners in interviews, liner notes, and public conversations. In an industry where songwriters often remain invisible behind the spotlight, Davido’s willingness to name collaborators has helped normalize conversations about who actually creates the music fans love.

This attitude has had ripple effects across Afrobeats. As the genre has grown into a global force, more Nigerian artists have begun to openly credit writers, producers, and background contributors, recognizing that hit songs are rarely the product of a single person. Davido’s transparency has played a role in shifting that culture, encouraging emerging artists to value proper acknowledgment and pushing the industry toward more professional standards around credits and royalties.

The “Dami Duro” discussion also highlights a long-standing issue in Nigerian music: many early hits were created in informal studio settings where documentation and credits were not always properly handled. Years later, as Afrobeats becomes more structured and commercially valuable, these unresolved stories resurface. In that sense, Bigiano’s claim is less about controversy and more about the evolving need for clarity and fairness in music creation.

Ultimately, whether or not Bigiano’s contribution is formally recognized, the conversation underscores why credit matters. Davido’s career shows that acknowledging collaborators does not diminish an artist’s star power; instead, it strengthens trust, builds creative ecosystems, and sets an example for the next generation. As Afrobeats continues its global rise, these discussions are shaping an industry that is not only louder and bigger, but also more transparent and respectful of the talent behind the sound.